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Adam Waito

Adam Waito is an indie rock musician based in Montreal. He is the front-man and principal songwriter for Adam and the Amethysts, and a former member of Miracle Fortress. Adam Waito's solo project, Adam and the Amethysts was launched with the release of Amethyst Amulet in 2008. The album is an ode to Waito's home town, referencing 60s pop, Neil Young as well as contemporary indie rock. First released by Pome Records, the album was championed by the National Post, Toronto Star and NOW Magazine. Besides playing in several of Montreal's most important emerging bands, Adam Waito is also an amateur scholar of vintage Canadian psych-rock, and has written about the topic for the blog, Said the Gramophone. He has also spoken on a panel on songwriters at Pop Montreal's Symposium along with seminal Canadian psych-folk songwriter and collaborator with Neil Young, Elyse Weinberg. Find him at the website, Adam and the Amethysts.

A Preliminary Guide to Vintage Canadian Psych Pop

July 19, 2010 1:32 AM

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My preoccupation with Canadiana and with finding new music has led me to discover some rather incredible Canadian acts from the '60s and '70s that range from completely obscure to relatively unknown. Now, I'm no authority on psychedelic music. These are just some bands that have managed to find me (mostly through the Internet) and I've tried to include some tidbits about them.

With reverence for the naturally majestic and decidedly (messed up) colony of Canada, I would like to share a few choice unsung heroes of psychedelic pop from the land North of America with you (...). These are some songs that in some way compel or inspire me.
The Rabble- "Candy" (1969)
The Rabble formed in 1965 in Pointe-Claire on Montreal's West Island, and their big break came when, in '68, they got to replace Cream at the last minute at The Paul Sauve Arena in Montreal. "Candy" is playful and irreverent and to my ears anticipates some of the poppier early punk bands that would emerge a decade later. You can party to this song in Montreal quite easily today, let me tell you.
Jarvis Street Revue - "Mr. Oil Man" (1970)
This is sprawling heavy-psych epic that, I'm proud to say, hails from my hometown of Thunder Bay, Ontario. It's the flagship track from a rare environmentalist concept album of the same name, whose heavy-handed eco-message is only matched by its heavy-as-hell acid-guitar. Long before the corrupt oil industry was grim reaping the political consciousnesses of pretty much everyone, JSR was prophesying that there will be blood, and did so with creative, fuzzed-out - if a little long-winded - intensity. So damn cool. It's been bootlegged as well as officially reissued if you feel like grabbing it without paying close to a grand for a rare original LP on Ebay. Me, I've still got my fingers crossed for an original copy in a thrift store record bin when I'm home this Christmas holiday.

Speaking of Christmas, that's what this next Oshawa, Ontario band was called, and if I do say so, it's one of the best band names ever. Christmas features ex-members of another great '60s band Reign Ghost (formerly of The Christopher Columbus Discovery of New Lands Band, another mind-blowing band name). This is a pretty straight-ahead folky pop rock song from their album Heritage that will stick to your ribs right near your heart.
Borealis - "Old Age" (1972)
Borealis were a psych-pop band from the Maritimes (Newfoundland I think). "Old Age" is a really simple and lovely song from their Sons of the Sea record, with its spinning-speaker guitar, restrained rhythm section, and delightfully amateurish vocals. It's a heartbreaking and cute ode to the singer's deteriorating grandfather. At a time when not a lot of rock albums were being recorded in the Atlantic provinces, the album apparently wasn't too successful, although they supposedly had a track on the St. John's top 10 for a couple weeks. The full title was Sons of the Sea/Professor Fuddle's Fantastic Fairy Tale Machine.
A Passing Fancy - "Island" (1968)
This song is beautiful and amazing with its organ, church bells, and sad pop melody. A Passing Fancy were a Toronto band that emerged from the '60s Yorkville scene. A career highlight was playing Expo '67 in Montreal. Formed in '65, they released a number of 45s and one LP before disbanding in 1969. One of the members is now the president of a hockey card company. I have to say, this song just really does something special for me.

As recent migrants from Europe, they were supposedly inspired by the natural beauty of their new home of Galt, Ontario, and recorded this LP in only six hours in Toronto. It's a really beautiful record, made special by their odd accents and slightly-off vocals, as well as brilliant bursts of organ. Finally, Elyse Weinberg is an amazing woman whom I had the privilege of meeting during Pop Montreal this year (we sat on a songwriter's panel together at the Symposium). She played this song with members of the Saffron Sect playing sitar and tanpura at her show at the Casa. She was amazed that there were young folks who knew how to play a song from an obscure album she made 40 years ago. Anyway, the live rendition was magnificent and that album is called Elyse and is really heartbreakingly awesome. Hopefully she won't find this and be mad that I posted her song online. She's from Toronto and used to hang out with folks like Neil Young, but who really cares, because she's amazing.

If you want to hear some other great Canadian bands from the late '60s/early '70s, check out Plastic Cloud, The Plague, The Poppy Family, Reign Ghost, Terence, It's All Meat, and duh, The Guess Who. Most of these bands have been reissued, bootlegged or posted online, so have fun!

Originally posted in Said the Gramophone.

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